Kellen Gray
Associate Artist, Royal Scottish National Orchestra
Assistant Editor & Conductor Liaison: African Diaspora Music Project
Biography
Scotland-based American conductor Kellen Gray has earned a reputation as a versatile and imaginative artist, celebrated for his diverse array of traditional and experimental programming, thrilling performances, and provocative multimedia concert experience curation. He is one of the foremost experts and interpreters of the music of African-diasporic composers, for whom he is a passionate advocate and champion.
Born and raised in Rock Hill, South Carolina, Gray’s early professional life took him on a diverse path ranging from orchestral violinist to beekeeper, before turning his full-time attention to conducting. Since the end of 2023, he serves as Associate Artist of the Royal Scottish National Orchestra: a newly created role that sees him conduct, curate, and present programmes right across the RSNO’s series offerings. Gray is also Conductor & Artistic Director of the Lafayette Symphony Orchestra (Indiana, USA), beginning 2024/2025 season.
Read MoreGray credits the many folk music styles of the south-eastern United States as his earliest and most impactful musical influences, and his repertoire interests to date have been fuelled by the engaged pursuit of that same spirit of cultural authenticity. This has led to a particular mastery not only of works that incorporate American folk idioms, but also in-depth explorations of heavily folk-inspired European composers such as Béla Bartók, Manuel de Falla, and Ralph Vaughan Williams, amongst others.
A passionate champion for African-diasporic composers, Gray was the Founder & Curator of Charleston Symphony’s Project Aurora: a programming and performance initiative aiming to illustrate the importance of African-American arts and culture as equally valuable to its European equivalent. Additionally, he serves as Assistant Editor & Conductor Liaison for the African Diaspora Music Project, after extensive research at The Center for Black Music Research (CBMR) at Columbia College Chicago.
Gray’s discography to date comprises two celebrated releases – African American Voices and African American Voices II, made with the Royal Scottish National Orchestra – showcasing music by Margaret Bonds, William Dawson, William Grant Still, Coleridge Taylor Perkinson, Florence Price, and George Walker. Both records have met with the highest critical acclaim, including receiving an elusive 5* review from the prestigious Diapason magazine.
Gray’s appointment as Associate Artist of the Royal Scottish National Orchestra – the first position of its kind for the orchestra – marks an unprecedented but organic development following his highly successful tenure as the orchestra’s Assistant Conductor (2021-2023). Previous positions in Gray’s formative years as a conductor included successful tenures with the Charleston Symphony Orchestra (Associate Conductor, 2018-2023), Chicago Sinfonietta (Conducting Fellow & Assistant Conductor, 2016-2018), and Valdosta Symphony Orchestra (Assistant Conductor, 2014-2016).
Recent and forthcoming guest conducting highlights include engagements with such orchestras as the Baltimore Symphony Orchestra, Cincinnati Symphony, Houston Symphony, Minnesota Orchestra, National Symphony Orchestra (Washington), Philharmonia Orchestra (London), Pittsburgh Symphony Orchestra, and Seattle Opera, amongst others.
Outside of his busy transatlantic performance schedule, Kellen Gray is based in Glasgow, Scotland.
Calendar
MENDELSSOHN: Symphony No 3 'Scottish'
MENDELSSOHN: Symphony No 3 'Scottish'
Orchestra Unwrapped
Grieg: Peer Gynt, Suite No. 1, Op. 46 - 'Morning Mood'
Sibelius: Finlandia
María Sigfúsdóttir Oceans
Mussorgsky (arr. Rimsky-Korsakov): Night on a Bare Mountain
Tchaikovsky: Swan Lake, Suite (1st Mvt - Scene)
Charlotte Harding: I Hear You
Jesse Montgomery: Starburst
Ida Moberg: Sunrise Orchestral Suite: Evening
John Powell (arr. Sean O'Loughlin): How to Train Your Dragon
DVORAK: My Home Overture
PRICE: Piano Concerto in One Movement
Interval
BEETHOVEN: Symphony No 4
Stewart Goodyear, Piano
News
Minnesota Orchestra
February 1, 2025
Kellen Gray makes his debut conducting the Minnesota Orchestra in concerts on 4/5/6 February 2025.Noseda’s Emerging Conductors
January 20, 2025
Kellen Gray is invited to partake in Gianandrea Noseda’s Emerging Conductors week with the National Symphony Orchestra: a week of…Royal Scottish National Orchestra
November 22, 2024
Associate Artist of the RSNO, Kellen Gray conducts the orchestra in Glasgow (1 December) and Edinburgh (8 December 2024).Colorado Springs Philharmonic Orchestra
November 9, 2024
Kellen Gray debuts with the Colorado Springs Philharmonic on 16 & 17 November 2024, conducting a programme of Debussy, Prokofiev,…
African American Voices II
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Margaret Bonds, Montgomery Variations
Ulysses Kay, Concerto for Orchestra
Coleridge-Taylor Perkinson, Worship: A Concert Overture
Linn Records
October 2023
Though representing differing schools of thought regarding African American classical music, the composers here are united by their roots in black history, culture and its rich musical heritage. Drawing upon jazz and spirituals – ‘I Want Jesus to Walk with Me’ serving as the source material – Margaret Bonds’ Montgomery Variations engages with African American history, namely the Montgomery bus boycott and the 1963 Birmingham church bombing. In this work, re-discovered in 2017, Bonds tackles the themes of strength, resistance, determination and faith. Bonds’ contemporary, the prolific composer Ulysses Kay cultivated a neoclassical voice, as his Concerto for Orchestra exemplifies, very much in line with William Grant Still and his teacher Paul Hindemith. A versatile musician, Coleridge-Taylor Perkinson comes a generation later. In his Worship: A Concert Overture, we can hear a blend of Baroque counterpoint, elements of the blues, spirituals and black folk music.
African American Voices
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William Dawson, Negro Folk Symphony
George Walker, Lyric for Strings
William Grant Still, Symphony No. 1 “Afro-American”
Linn Records
November 2022
The two symphonies by William Levi Dawson and William Grant Still proved to be fundamental in the utilization of Afro-American idioms within the symphonic form. Each composer focused on one of the two original staples of African American music: folk and jazz. William Levi Dawson’s Negro Folk Symphony takes its inspiration from West African folk idioms, American Negro spirituals and early African American folk rhythms and songs from Gullah culture. William Grant Still’s Symphony No. 1 draws its influence from elements popular in jazz and pre-jazz. Although the latter is the more well-known figure in American music, Dawson was every bit as significant in the timeline of African American music, and his only published symphony is astonishingly mature for a composer’s earliest efforts at symphonic writing.
This programme also celebrates the centenary of George Walker’s birth with the inclusion of his Lyric for Strings.
Press
“Kellen Gray’s debut was impressive. His gestures, both magnanimous and expressive, maintained an imposing command over the Seattle Symphony in the overture and entr’acte, and provided capable and dependable leadership with the singers: a difficult task splendidly executed.”
BachTrack, 5* review
“Conductor Kellen Gray shaped a skilful whole from the interplay of a cappella singing, underscored dialogue and fully accompanied choruses.”
Opera Now, 4* review
“Just as magical was the orchestra, led by conductor Kellen Gray in his Seattle Opera debut. Standing on a higher podium for the singers to see him, Gray deployed eloquent gestures to guide the musicians through a veritable catalogue of styles.”
SGN
Worldwide General Management
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Alexandra Knight
CEO
+44 (0) 7515 879 123
alexandra@knightclassical.com
Johan Pieters
Artist Services Manager
+44 (0) 7513 130 885
johan@knightclassical.com